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A Portrait of Mendelssohn$
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Clive Brown

Print publication date: 2003

Print ISBN-13: 9780300095395

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300095395.001.0001

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• The Initial Impact of Mendelssohn's Music in England

• The Initial Impact of Mendelssohn's Music in England

Chapter:
39 • The Initial Impact of Mendelssohn's Music in England
Source:
A Portrait of Mendelssohn
Author(s):

Clive Brown

Publisher:
Yale University Press
DOI:10.12987/yale/9780300095395.003.0039

British interest in Felix Mendelssohn and his music began to grow after his visit to London in 1829, the year he made his debut at the Philharmonic Society with his Symphony in C Minor. Mendelssohn was first mentioned in the British press in articles translated from German journals a few years earlier, and in a few comments on his early publications in the Harmonicon between 1825 and 1827. In contrast to the condescending or niggardly criticism he endured in Germany, Mendelssohn was more than happy to see the open-hearted attitude of English musicians and society. In a letter sent to Eduard Philipp Devrient on October 29, 1829, Mendelssohn noted the difference between musicians in Germany and England.

Keywords:   music, London, Philharmonic Society, Symphony in C Minor, Harmonicon, Germany, Eduard Philipp Devrient, musicians, England

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