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Power, Plain English, and the Rise of Modern Poetry$
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David Rosen

Print publication date: 2006

Print ISBN-13: 9780300100716

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300100716.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Power, Plain English, and the Rise of Modern Poetry
Author(s):

David Rosen

Publisher:
Yale University Press
DOI:10.12987/yale/9780300100716.003.0001

This chapter summarizes the arguments about language and force that are to be explored throughout the book. Yeats's poem “The Song of the Happy Shepherd” asserts a faith in the basic authority of language, in its power whose implications reached far beyond literature. The first purpose of the book, then, is to examine how poets from Wordsworth to Auden try to present themselves simultaneously as individuals of power and at the same time active members of their respective communities, speaking and sharing their thoughts on certain public issues. The second project this book pursues is the history of the linguistic and cultural prejudice towards the low register of the English language—or what the book terms “plain English.” This chapter thus creates the foundation for the rest of the book, clarifying terms and providing historical context for the arguments to follow.

Keywords:   Yeats, The Song of the Happy Shepherd, language, force, power, plain English, Wordsworth, Auden

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