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Modern Love and Poems of the English Roadside, with Poems and Ballads$
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George Meredith, Criscillia Benford, and Rebecca Mitchell

Print publication date: 2013

Print ISBN-13: 9780300173178

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300173178.001.0001

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Nineteenth-Century Poetics

Nineteenth-Century Poetics

Chapter:
(p.277) Nineteenth-Century Poetics
Source:
Modern Love and Poems of the English Roadside, with Poems and Ballads
Author(s):

George Meredith

Publisher:
Yale University Press
DOI:10.12987/yale/9780300173178.003.0007

This chapter takes a look at the abiding aesthetic concerns of Victorian-age poetry and poetics. Are the ancients still relevant to modern poets and readers? What is the purpose of poetry? How should poetry manage subjective and emotive experience? These are some of the questions that are raised regarding Victorian prosody, questions which shaped George Meredith's poetry. The chapter thus contains excerpts that review the poetry of the period in terms of their composition and poetics. It is noted that the high points of early Victorian criticism are centered on the analyses of the poetry of Lord Tennyson, John Keats, Percy Bysshe Shelley, and William Wordsworth. Thus the chapter makes use of several excerpts and reviews to uncover the purpose and relevance of modern poetry.

Keywords:   Victorian age poetry, purpose of poetry, modern poets, George Meredith, Victorian prosody, poetics, Isobel Armstrong, Victorian criticism, Lord Tennyson, William Wordsworth

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