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Stalin's Music PrizeSoviet Culture and Politics$

Marina Frolova-Walker

Print publication date: 2016

Print ISBN-13: 9780300208849

Published to Yale Scholarship Online: September 2016

DOI: 10.12987/yale/9780300208849.001.0001

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(p.373) Bibliography

(p.373) Bibliography

Source:
Stalin's Music Prize
Publisher:
Yale University Press

Archives

The Bolshoi Theatre Manuscript Collection

The Bolshoi Theatre Museum

GARF (Gosudarstvennïy arkhiv Rossiyskoy Federatsii) – State Archive of the Russian Federation, Moscow

RGALI (Rossiyskiy gosudarstvennïy arkhiv literaturï i iskusstva) – Russian State Archive for Literature and Art, Moscow

RGANI (Rossiyskiy gosudarstvennïy arkhiv novoy istorii) – Russian State Archive of New [Recent] History, Moscow

RGASPI (Rossiyskiy gosudarstvennïy arkhiv sotsial’no-politicheskoy istorii) – Russian State Archive of Social and Political History, Moscow

VMOMK, formerly GtSMMK (Vserossiyskoye muzeynoye obyedineniye muzïkal’noy kul’turï im. Glinki) – All-Russian Consortium of Museums of Musical Culture, formerly the Glinka Museum; including the Goldenweiser Museum, Moscow

Periodicals

Kul’tura i zhizn’

Pravda

Sovetskaya muzïka

Sovetskiy artist

Sovetskoye iskusstvo

Teatr

Books and Articles

Adibekov, G. M., Anderson, K. M. and Rogovaya, L. A. (eds), Politbyuro TsK RKP(b) – VKP(b): Povestki dnya zasedaniy. Katalog, vol. 3 (Moscow: ROSSPEN, 2001)

Afiani, V. Yu. (ed.), Apparat TsK KPSS i kul’tura, 1953–1957: Dokumentï (Moscow: ROSSPEN, 2001)

Alliluyeva, Svetlana, Twenty Letters to a Friend, trans. P. Johnson (London: Hutchinson & Co., 1967)

Anderson, K. M., RGASPI: Kratkiy spravochnik, vol. 3 (Moscow: ROSSPEN, 2004)

Anderson, K. M., Maksimenkov, L. et al. (eds), Kremlyovskiy kinoteatr, 1928–53: Dokumentï (Moscow: ROSSPEN, 2005).

Bakhtarov, G. Yu., Zapiski aktyora: genii i podletsï (Moscow: OLMA Press, 2002)

Barsova, I. A., ‘Iz neopublikovannogo arkhiva A.V. Mosolova’, Sovetskaya muzïka (1989), no. 7, 80–92 and no. 8, 69–75

—, ‘Sem’desyat vosem’ dney i nochey v zastenke: kompozitor Mechislav Vaynberg’, Nauchnïy vestnik Moskovskoy konservatorii (2014), no. 2, 90–104

—(ed.), Nikolay Sergeyevich Zhilyayev: trudï, dni i gibel’ (Moscow: Muzïka, 2008)

Bartig, Kevin, Composing for the Red Screen: Prokofiev and Soviet Film (New York and Oxford: Oxford University Press, 2013)

(p.374) —,‘Music History for the Masses: Reinventing Glinka in Post-War Soviet Russia’, conference paper delivered at Musical Legacies of State Socialism: Revisiting Narratives about Post-World War II Europe (Belgrade, September 2015)

Beevor, Antony, The Mystery of Olga Chekhova (London: Penguin Books, 2005)

Blagoy, D. D. (ed.), A. B. Gol’denveyzer: Staty’i, materialï, vospominaniya (Moscow: Gosudarstvennïy tsentral’nïy muzey muzïkal’noy kul’turï imeni M. I. Glinki, 1969)

Blazhennïy Ioann, Fortepiannoye yevangeliye Marii Veniaminovnï Yudinoy (Kiev: Mir Sofii, 2010) Borisov, S. B., Andrey Aleksandrovich Zhdanov: opït politicheskoy biografii (Shadrinsk: Iset’, 1998)

Bourdieu, Pierre, Distinction: A Social Critique of the Judgement of Taste, trans. R. Nice (Cambridge, MA: Harvard University Press, 1984)

Bown, Matthew Cullerne and Taylor, Brandon (eds), Art of the Soviets: Painting, Sculpture, and Architecture in a One-Party State, 1917–1992 (Manchester: Manchester University Press, 1993)

Brandenberger, David, National Bolshevism: Stalinist Mass Culture and the Formation of Modern Russian National Identity, 1931–56 (Cambridge, MA and London: Harvard University Press, 2002)

Brooke, Caroline, ‘Soviet Musicians and the Great Terror’, EuropeAsia Studies (2002), vol. 54, no. 3, 397–413

Brooks, Jeffrey, Thank You, Comrade Stalin!: Soviet Public Culture from Revolution to Cold War (Princeton: Princeton University Press, 2000)

—, ‘Stalin’s Politics of Obligation’, in Harold Shukman (ed.), Redefining Stalinism (London, Portland: Frank Cass Publishers, 2003), 47–68

Bugay, N. F. (ed.), Narodï stran Baltii v usloviyakh stalinizma (1940-ye–1950–ye godï): dokumentirovannaya istorya (Stuttgart: ibidem-Verlag, 2005)

—, ‘Osobennosti organizatsii dekadï belorusskogo iskusstva v Moskve, Natsional’nïy teatr v kontekste mnogonatsional’noy kul’turï’, Shestïye mezhdunarodnïye Mikhoelsovskiye chteniya: dokladï, soobshcheniya (Moscow: Rossiyskaya gosudarstvennaya biblioteka iskusstv, 2010), 262–9

Chernobayev, A. A. (ed.), Na priyome u Stalina: Tetradi (zhurnalï) zapisey lits, prinyatïkh I. V. Stalinïm (1924–1953 gg.) (Moscow: Novïy khronograf, 2008)

Chukovskiy, Korney, Dnevnik, vol. 2 (1930–1969), ed. Ye. Chukovskaya (Moscow: PROZAiK, 2012)

Chuyev, F. (ed.), Sto sorok besed s Molotovïm: iz dnevnika F. Chuyeva (Moscow: Terra, 1991)

Clark, Katerina, The Soviet Novel: History as Ritual (Chicago: University of Chicago Press, 1981)

Crankshaw, Edward, Russia without Stalin: The Emerging Pattern (London: Michael Joseph, 1956)

Digonskaya, Olga, ‘Simfonicheskiy fragment 1945 goda: k istorii pervogo neokonchennogo varianta Devyatoy simfonii D. D. Shostakovicha’, Muzïkal’naya akademiya (2006), no. 2, 97–102

Dikushina, N. (ed.), Aleksandr Fadeyev: Pis’ma i dokumentï iz fondov Rossiyskogo Gosudarstvennogo Arkhiva literaturï i iskusstva (Moscow: Izdatel’stvo Literaturnogo Instituta im. A.M. Gor’kogo, 2001)

Dobrenko, Yevgeniy, ‘Realästhetik, ili narod v bukval’nom smïsle: oratoriya v pyati chastyakh s prologom i epilogom’, Novoye literaturnoye obozreniye (2006), no. 82, 183–242

—, Muzey Revolyutsii: Sovetskoye kino i stalinskiy istoricheskiy narrativ (Moscow: Novoye literaturnoye obozreniye, 2008)

—and Eric Naiman (eds), The Landscape of Stalinism: The Art and Ideology of Soviet Space (Seattle: University of Washington, 2003)

Dunayevskiy, I. and Raynl’, L., Pochtovïy roman, ed. N. Shafer (Moscow: Kompozitor, 2001)

Dunham, Vera, In Stalin’s Time: Middleclass Values in Soviet Fiction (Durham and London: Duke University Press, 1990)

Dunmore, Timothy, The Stalinist Command Economy: The Soviet State Apparatus and Economic Policy, 1945–53 (London and Basingstoke: Macmillan, 1980)

—, Soviet Politics, 1945–53 (London and Basingstoke: Macmillan, 1984)

Edmunds, Neil (ed.), Soviet Music and Society under Lenin and Stalin: The Baton and Sickle (London and New York: Routledge Curzon, 2004)

English, James F., The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value (Cambridge, MA and London: Harvard University Press, 2005)

Fairclough, Pauline, Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin (New Haven and London: Yale University Press, forthcoming)

Fay, Laurel, Shostakovich: A Life (Oxford: Oxford University Press, 2000)

Fitzpatrick, Sheila (ed.), Stalinism: New Directions: A Reader (London and New York: Routledge, 2000)

—, On Stalin’s Team: The Years of Living Dangerously in Soviet Politics (Princeton and Oxford: Princeton University Press), 2015

Frolova-Walker, M., ‘ “National in Form, Socialist in Content”: Musical Nation-Building in the Soviet Republics’, Journal of the American Musicological Society (1998), vol. 51, no. 2, 331–71

—, Russian Music and Nationalism from Glinka to Stalin (New Haven and London: Yale University Press, 2007)

—and Walker, J., Music and Soviet Power, 1917–32 (Woodbridge: The Boydell Press, 2012)

(p.375) —, ‘ “Music is Obscure”: Textless Soviet Works and their Phantom Programmes’, in Representation and Meaning in Western Music, ed. Joshua S. Walden (Cambridge, MA: Cambridge University Press, 2013), 47–63

—, ‘A Birthday Present for Stalin: Shostakovich’s Song of the Forests’, in Esteban Buch, Igor Contreras Zubillaga and Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships (Aldershot: Ashgate, forthcoming)

Geodakyan, Georgiy, Puti formirovaniya armyanskoy muzïkal’noy klassiki (Yerevan: Izdatel’stvo Instituta iskusstv NAN RA, 2006)

Gershzon, M. M., ‘Ministerstvo kul’turï SSSR v 1953–1963 godakh’, Russkiy sbornik: Issledovaniya po istorii Rossii, vol. 8, ed. O. R. Ayrapetov et al. (Moscow: Modest Kolerov, 2010), 274–388

Goldman, Leah, The Art of Intransigence: Soviet Composers and Art Music Censorship, 1945–1957, PhD diss. (University of Chicago, 2015)

Goleyzovskiy, Kas’yan, Zhizn’ i tvorchestvo: stat’yi, vospominaniya, dokumentï (Moscow, 1984)

Golovanov, N. S., Literaturnoye naslediye, perepiska, vospominaniya sovremennikov (Moscow, Sovetskiy kompozitor, 1982)

Gorlizki, Yoram, ‘Stalin’s Cabinet: The Politburo and Decision-Making in the Post-war Years’, Europe– Asia Studies (2001), vol. 53, no. 2, 291–312

—and Oleg Khlevniuk, Cold Peace: Stalin and the Soviet Ruling Circle, 1945–1953 (Oxford and New York: Oxford University Press, 2004)

Granin, Daniil, Prichudy moyey pamyati (Moscow and St Petersburg: Tsentrpoligraf, MiM-Del’ta, 2009)

Gregory, Paul R. and Naimark, Norman (eds), Lost Politburo Transcripts: From Collective Rule to Stalin’s Dictatorship (New Haven and London: Yale University Press, 2008)

Gromov, Yevgeniy, Stalin: Vlast’ i iskusstvo (Moscow: Respublika, 1998)

Gromova, Natal’ya, Raspad: Sud’ba sovetskogo kritika: 40-ye–50-ye godï (Moscow: Ellis Lak, 2009)

Guldberg, Jørn, ‘Socialist Realism as Institutional Practice: Observations on the Interpretation of the Works of Art in the Stalin Period’, in Hans Günther (ed.), The Culture of the Stalin Period (New York: St Martin’s Press, 1990), 149–77

Gyunter, Khans and Dobrenko, Yevgeniy (eds), Sotsrealisticheskiy kanon (St Petersburg: Gumanitarnoye agentstvo ‘Akademicheskiy proyekt’, 2000)

Heller, Leonid and Baudin, Antoine, ‘Le réalisme socialiste comme organisation du champ culturel’, Cahiers du monde russe et soviétique, 34 (1993), no. 3, 307–44

Herrala, Meri E., The Struggle for Control of Soviet Music from 1932 to 1948: Socialist Realism vs. Western Formalism (Lewiston, Queenston and Lampeter: The Edwin Mellen Press, 2012)

Iğmen, Ali, Speaking Soviet with an Accent: Culture and Power in Kyrgyzstan (Pittsburgh, PA: University of Pittsburgh Press, 2012)

Il’yukhov, Aleksandr, Kak platili bol’sheviki: Politika sovetskoy vlasti v sfere oplatï truda v 1917–1941 gg. (Moscow: ROSSPEN, 2010)

Ivanov, V. V., Dnevniki (Moscow: IMLI RAN, 2001)

Ivkin, V. I., ‘Kak otmenyali Stalinskiye premii: Dokumentï TsK KPSS i Soveta ministrov SSSR, 1953– 1967 gg.’, Istoricheskiy Arkhiv (2013), no. 6, 3–49

Johnson, Oliver, ‘The Stalin Prize and the Soviet Artist – Status Symbol or Stigma?’, Slavic Review (2011), vol. 70, no. 4, 819–43

Keldïsh, Yu. V. (ed.), Istoriya muzïki narodov SSSR, vols 2 and 3 (Moscow: Sovetskiy kompozitor, 1970 and 1972)

Kenez, Peter, Cinema and Soviet Society from the Revolution to the Death of Stalin (London and New York: I. B. Tauris Publishers, 2001)

Khachaturyan, Aram, Pis’ma, ed. G. A. Arutyunyan et al. (Moscow: Kompozitor, 2005)

Khederer, Vladislav and Ditssh, Shteffen, 1940: Schastlivïy god Stalina (Moscow: ROSSPEN, 2011)

Khlevniuk, Oleg V., In Stalin’s Shadow: The Career of ‘Sergo’ Ordzhonikidze, ed. Donald J. Raleigh, trans. David J. Nordlander (Armonk, NY and London: M. E. Sharpe, 1995)

—, Khozyain: Stalin i utverzhdeniye stalinskoy diktaturï (Moscow: ROSSPEN, 2010)

Khrushchev, N. S., ‘O kul’te lichnosti i yego posledstviyakh’, Izvestiya TsK KPSS (1989), no. 3, 128–66

—, Vremya, lyudi, vlast’ (Moscow: Moskovskiye novosti, 1999)

Klause, Inna, ‘Composers in the Gulag: An Initial Survey’, in Patrick Zuk and Marina Frolova-Walker (eds), Russian Music since 1917 (Oxford: Oxford University Press, forthcoming)

Klefstad, Terry, ‘Shostakovich and the Peace Conference’, Music and Politics (2012), vol. 6, no. 2, http://quod.lib.umich.edu/m/mp/ (accessed 8 July 2013)

Kokarev, A. I. (ed.), Tikhon Nikolayevich Khrennikov: K 100-letiyu so dnya rozhdeniya (stat’yi i vospominaniya) (Moscow: Kompozitor, 2013)

(p.376) Kõll, Anu Mai (ed.), The Baltic Countries Under Occupation: Soviet and Nazi Rule, 1939–1991, Acta universitatis stockholmiensis, Studia Baltica Stockholmiensia, 23, (Stockholm: Almqvist & Wiksell International, 2003)

Koval’, M., S pesney skvoz’ godï (Moscow: Sovetskiy kompozitor, 1968)

Kovnatskaya, L. and Yakubov, M. (eds), Dmitriy Shostakovich: Issledovaniya i materialï, vol. 1 (Moscow: DSCH, 2005)

—et al. (eds), Shostakovich v Leningradskoy konservatorii, 1919-1930, 3 vols (St Petersburg: Kompozitor, 2013)

Kravets, Nelli, Ryadom s velikimi: Atovmyan i yego vremya (Moscow: GITIS, 2012)

Kuznetsov, A. M. (ed.), Mariya Yudina. Vïsokiy stoykiy dukh: perepiska 1918–45 gg. (Moscow: ROSSPEN, 2006)

Lahusen, Thomas and Evgeny Dobrenko (eds), Socialist Realism without Shores (Durham and London: Duke University Press, 1997)

Lamm, O. P., Stranitsï tvorcheskoy biografii Myaskovskogo (Moscow: Sovetskiy kompozitor, 1989)

—, ‘Vospominaniya (fragment: 1948–1951 godï)’, in M. P. Rakhmanova (ed.), Sergey Prokof’yev: Vospominaniya, pis’ma, stat’yi (Moscow: Deka-VS, 2004), 227–73

Latynina, Alla, ‘The Stalin Prizes for Literature as the Quintessence of Socialist Realism’, in Hilary Chung at al. (eds), In the Party Spirit: Socialist Realism and Literary Practice in the Soviet Union, East Germany and China, Critical Studies, vol. 6 (Amsterdam, Atlanta, GA: Rodopi, 1996), 106–28

Lebedev, V., Mel’chin, S., Stepanov, A. and Chernev, A. (eds), ‘Proizvedeniye Shostakovicha – gluboko zapadnoy oriyentatsii’, Istochnik: Vestnik Arkhiva Prezidenta Rossiyskoy Federatsii (Moscow, 1995), no. 5, 156–9

Liber, George O., ‘Adapting to the Stalinist Order: Alexander Dovzhenko’s Psychological Journey, 1933– 1953’, Europe–Asia Studies (2001), vol. 53, no. 7, 109–116

Lyatoshinskiy, Boris, Vospominaniya, pis’ma i materialï, ed. L. N. Grisenko, 2 vols (Kiev: Muzïchna Ukraina, 1985–86)

Maksimenkov, Leonid, ‘Partiya – nash rulevoy’, Muzïkal’naya zhizn, 13–14 (1993), 6–8; 15–16 (1993), 8–10

—, Sumbur vmesto muzïki: Stalinskaya kul’turnaya revolyutsiya, 1936–38 (Moscow: Yuridicheskaya kniga, 1997)

—(ed.), Muzïka vmesto sumbura: Kompozitorï i muzïkantï v strane sovetov, 1917–1991 (Moscow: Mezhdunarodnïy fond ‘Demokratiya’, 2013)

Mariya Yudina: Obrechennaya abstraktsii, simvolike i besplotnosti muzïki: Perepiska 1946–1955 gg. (Moscow: ROSSPEN, 2008)

Martin, Terry, ‘Modernization or neo-Traditionalism?: Ascribed Nationality and Soviet primordialism’, in S. Fitzpatrick (ed.), Stalinism: New Directions: A Reader (London and New York: Routledge, 2000), 348–67

Mar’yamov, G. B., Kremlevskiy tsenzor: Stalin smotrit kino (Moscow: Konfederatsiya Soyuzov Kinematografistov ‘Kinotsentr’, 1992)

Maximenkov, Leonid, ‘Stalin and Shostakovich: Letters to a “Friend” ’, in Laurel Fay (ed.), Shostakovich and His World (Princeton and Oxford: Princeton University Press, 2004), 43–58

—, ‘The Rise and Fall of the 1948 Central Committee Resolution on Music’, Three Oranges (November 2008), no. 16, 14–20

McCagg, Jr., William O., Stalin Embattled, 1943–1948 (Detroit, Michigan: Wayne State University Press, 1978)

Medvedeva, Irina, ‘Istoriya prokof ’yevskogo aftografa, ili GURK v deystvii’, Sergey Prokof’yev, k 110-letiyu so dnya rozhdeniya: Pis’ma, vospominaniya, stat’yi (Moscow: Gosudarstvennïy tsentral’nïy muzey imeni M. I. Glinki, 2001), 216–39

Merchant, Tanya, ‘Revived Musical Practices within Uzbekistan’s Evolving National Project’, The Oxford Handbook of Music Revival, ed. Caroline Bithell and Juniper Hill (Oxford and New York: Oxford University Press, 2014)

Mikkonen, Simo, Music and Power in the 1930s: A History of Composers’ Bureaucracy (Lewiston, Queenston and Lampeter: The Edwin Mellen Press, 2009)

Monsenzhon, Bruno (ed.), Rikhter: Dialogi, dnevniki (Moscow: Klassika-XXI, 2007)

Morrison, Simon, The People’s Artist: Prokofiev’s Soviet Years (Oxford: Oxford University Press, 2008)

—, The Love and Wars of Lina Prokofiev (London: Harvill Secker, 2013)

Naroditskaya, Inna, Song from the Land of Fire: Azerbaijanian Mugam in the Soviet and Post-Soviet Periods (New York: Routledge, 2003)

Nemirovich-Danchenko, Vl. I., Tvorcheskoye naslediye: Pis’ma, 1938–43, ed. I. N. Solov’yov, vol. 4 (Moscow: Moskovskiy Khudozhestvennïy teatr, 2003)

Neuberger, Joan, ‘The Politics of Bewilderment: Eisenstein’s “Ivan the Terrible” in 1945’, in Al LaValley and Barry P. Scherr (eds), Eisenstein at 100: A Reconsideration (New Brunswick, NJ: Rutgers University Press, 2001), 227–52

(p.377) Nevezhin, Vladimir, ‘Yesli zavtra v pokhod’: Podgotovka k voyne i ideologicheskaya propaganda v 30-kh–40kh godakh (Moscow: Yauza, Eksmo, 2007)

—, Zastol’ya Iosifa Stalina: Bol’shiye kremlevskiye priyomï, vol. 1 (Moscow: Novïy khronograf, 2011)

Norman, John O. (ed.), New Perspectives on Russian and Soviet Artistic Culture: Selected Papers from the 4th World Congress for Soviet and European Studies (Harrogate: Palgrave Macmillan, 1990)

Olson, Laura J., Performing Russia: Folk Revival and Russian Identity (New York: Routledge, 2004)

Orlov, Vladimir, Soviet Cantatas and Oratorios by Sergei Prokofiev in their Social and Cultural Context, PhD diss. (University of Cambridge, 2011)

—, ‘ “Did He Make a Step toward Rebirth?” Prokofiev’s Pursuits of Self-Rehabilitation after 1948’, conference paper delivered at Musical Legacies of State Socialism: Revisiting Narratives about Post-World War II Europe (Belgrade, September 2015)

Perkhin, V. V. (ed.), Deyateli russkogo iskusstva i M. B. Khrapchenko, predsedatel’ Vsesoyuznogo komiteta po delam iskusstv: aprel’ 1939–yanvar’ 1948: svod pisem (Moscow: Nauka, 2007)

Pervïy vsesoyuznïy s’yezd sovetskikh kompozitorov: stenograficheskiy otchyot, ed. M. Koval et al. (Moscow: Izdaniye Soyuza sovetskikh kompozitorov, 1948)

Politbyuro TsK VKP(b) i Sovet Ministrov SSSR, 1945–1953, compiled by O. V. Khlevnyuk et al. (Moscow: ROSSPEN, 2002)

Pomerantsev, V. M., ‘Ob iskrennosti v literature’, Novïy mir (1953), no. 12, 218–45

Poponov, V., Orkestr khora imeni Pyatnitskogo (Moscow: Sovetskiy kompozitor, 1979)

Raku, Marina, Muzïkal’naya klassika v mifotvorchestve sovetskoy epokhi (Moscow: Novoye literaturnoye obozreniye, 2014)

Rasmussen, Mikkel Bolt and Wamberg, Jacob (eds), Totalitarian Art and Modernity (Aarhus: Aarhus University Press, 2010)

Reid, Susan E., ‘Destalinization and Taste, 1953–63’, Journal of Design History (1997), vol. 10, no. 2, 180–82

Romashchuk, I., Gavriil Nikolayevich Popov: Tvorchestvo. Vremya. Sud’ba (Moscow: GMPI im. Ippolitova– Ivanova, 2000)

Rubtsova, V. (ed.), Tak eto bïlo: Tikhon Khrennikov o vremeni i o sebe (Moscow: Muzïka, 1994)

San’ko, A. K., Ye. K. Golubev: kompozitor, pedagog, muzïkal’nïy deyatel’ (dissertatsiya na soiskaniye uchyonoy stepeni kandidata iskusstvovedeniya) (Moscow: Moskovskaya konservatoriya, 2000)

Sesilkina, L. (ed.), ‘V. V. Andreyev i yego velikorusskiy orkestr’, Rossiyskiy Arkhiv: Istoriya Otechestva v svidetel’stvakh i dokumentakh XVIII–XX vv (Moscow: Studiya TRITE, 2007), vol. 15, 491–538

Shaporina, Lyubov’, Dnevnik, 2 vols (Moscow: Novoye literaturnoye obozreniye, 2012)

Shchedrin, Rodion, Avtobiograficheskiye zapisi (Moscow: AST, 2008)

Shebalina, A. (ed.), V.Ya. Shebalin: godï zhizni i tvorchestva (Moscow: Sovetskiy kompozitor, 1990)

Shepilov, Dmitriy, Neprimknuvshiy (Moscow: Vagrius, 2001)

Shlapentokh, Vladimir, Soviet Intellectuals and Political Power: The Post-Stalin Era (Princeton: Princeton University Press, 1990)

Simonov, Konstantin, Glazami cheloveka moyego pokoleniya: razmïshleniya o I.V. Staline (Moscow: Kniga, 1990)

Smith, Susan Lockwood, Soviet Arts Policy, Folk Music, and National Identity: The Piatnitskii State Russian Folk Choir, 1927–1945. PhD diss. (University of Minnesota, 1997)

Smrž, Jiří, Symphonic Stalinism: Claiming Russian Musical Classics for the New Soviet Listener, 1932– 1953 (Berlin: Lit Verlag, 2011)

Solodovnikov, A. V., ‘Mï bïli molodï togda’, in Yu. S. Rïbakov and M. D. Sedïkh (eds), Teatral’nïye stranitsï: sbornik statey (Moscow: Iskusstvo, 1979), 186–223

Soveshchaniye deyateley sovetskoy muzïki v TsK VKP(b) (Moscow: Pravda, 1948)

Sovetskaya opera: Sbornik kriticheskikh statey, ed. M. Grinberg and N. Polyakova (Moscow: GMI, 1953)

Ssorin-Chaikov, Nikolai, ‘On Heterochrony: Birthday Gifts to Stalin, 1949’, Journal of the Royal Anthropological Institute (2006), vol. 12, issue 2, 355–75

Svin’yin, V. F., and Oseyev, K. A. (eds), Stalinskiye premii: dve storonï odnoy medali. Sbornik dokumentov i khudozhestvenno–publitsisticheskikh materialov (Novosibirsk: Svin’yin i sïnov’ya, 2007)

Sviridov, Georgiy, Muzïka kak sud’ba (Moscow: Molodaya gvardiya, 2002)

Taruskin, Richard, ‘The Ghetto and the Imperium’, keynote lecture delivered at Nationalism in Music in the Totalitarian State (1945–89) (Budapest, 2015)

—, ‘Two Serendipities: Keynoting a Conference, “Music and Power” ’, Journal of Musicology (forthcoming)

Tauragis, A., Lithuanian Music (Vilnius: Gintaras, 1971)

Terent’yev, B. M., Vospominaniya o V. G. Zakharove (Moscow: Muzïka, 1947)

Tikhonov, A. V. (ed.), Sozdatel’ Velikorusskogo orkestra V. V. Andreyev v zerkale russkoy pressï (St Petersburg: Soyuz Khudozhnikov, 2000)

Tomilina, N. I. et al. (eds), Otdel kul’turï TsK KPSS (1953–1966): annotirovannïye opisi (Moscow: ROSSPEN, 2004)

(p.378) Tomoff, Kiril, ‘Most Respected Comrade: Patrons, Clients, Brokers, and Unofficial Networks in the Stalinist Music World’, Contemporary European History (2002), vol. 11, no. 1, 33–65

—, Creative Union: The Professional Organization of Soviet Composers, 1939–1953 (Ithaca and London: Cornell University Press, 2006)

—, ‘Uzbek Music’s Separate Path: Interpreting “Anticosmopolitanism” in Stalinist Central Asia, 1949–52’, Russian Review (2004), vol. 63, no. 2, 212–40

—, Virtuosi Abroad: Soviet Music and Imperial Competition and Integration during the Early Cold War, 1945–1958 (Ithaca: Cornell University Press, 2015)

Toradze, Gulbat, Shostakovich i gruzinskiye kompozitorï (Tbilisi: Mezhdunarodnïy kulturno– prosvetitel’skiy soyuz ‘Russkii klub’, 2006)

Tromly, Benjamin, ‘The Leningrad Affair and Soviet Patronage Politics, 1949–1950’, Europe–Asia Studies (2004), vol. 56, no. 5, 707–29

Unger, Heinz, Hammer, Sickle and Baton: The Soviet Memoirs of a Musician (London: The Cresset Press Ltd, 1939)

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