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I, Maya Plisetskaya$
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Maya Plisetskaya

Print publication date: 2001

Print ISBN-13: 9780300088571

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300088571.001.0001

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PRINTED FROM YALE SCHOLARSHIP ONLINE (www.yale.universitypressscholarship.com). (c) Copyright Yale University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in YSO for personal use.date: 28 September 2021

I Dance in Don Quixote, I Dance in Golovanov's Opera

I Dance in Don Quixote, I Dance in Golovanov's Opera

Chapter:
(p.118) Chapter Twenty-One I Dance in Don Quixote, I Dance in Golovanov's Opera
Source:
I, Maya Plisetskaya
Author(s):

Maya Plisetskaya

Publisher:
Yale University Press
DOI:10.12987/yale/9780300088571.003.0021

In this chapter, Maya Plisetskaya reflects on her performances in Don Quixote and Khovanshchina. She also recalls the time she asked for a pay raise as a ballerina for the Bolshoi Theater but her request was denied. This caused her to focus on her rehearsal as Kitri in Don Quixote under Elena Ilyushchenko as coach. One of the spectators during her performance was Rudolf Nureyev. Maya then turned to Khovanshchina, an opera by Nikolai Semyonovich Golovanov, who was once the principal conductor at the Bolshoi Theater. The dances in Khovanshchina were choreographed by Sergei Gavrilovich Koren.

Keywords:   opera, Don Quixote, Khovanshchina, Bolshoi Theater, Elena Ilyushchenko, Rudolf Nureyev, Nikolai Semyonovich Golovanov, Sergei Gavrilovich Koren

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