- Title Pages
- Dedication
- Foreword
- Preface
-
Chapter One The Dacha and Sretenka Street -
Chapter Two What I was Like at Five -
Chapter Three Relatives -
Chapter Four Spitzbergen -
Chapter Five I Study Ballet -
Chapter Six Back in School and Father's Arrest -
Chapter Seven My Mother Disappears -
Chapter Eight Chimkent -
Chapter Nine Concert for the Cheka -
Chapter Ten Tchaikovsky's Impromptu -
Chapter Eleven The War -
Chapter Twelve My First Year at the Bolshoi Theater -
Chapter Thirteen The Apartment on Shchepkinsky Passage -
Chapter Fourteen Mastering the ABCs of the Theater -
Chapter Fifteen Raymonda -
Chapter Sixteen Swan Lake -
Chapter Seventeen Youth Festivals -
Chapter Eighteen My Injuries, My Healers -
Chapter Nineteen Who'll Get Whom! -
Chapter Twenty Stalin's Birthday -
Chapter Twenty-One I Dance in Don Quixote, I Dance in Golovanov's Opera -
Chapter Twenty-Two Life on the Road and the End of the Stalinist Era -
Chapter Twenty-Three My Trip to India -
Chapter Twenty-Four Persecution -
Chapter Twenty-Five How I Didn't Go to London -
Chapter Twenty-Six While the Company Was in London -
Chapter Twenty-Seven How I Dressed -
Chapter Twenty-Eight What a Person Needs -
Chapter Twenty-Nine Shchedrin -
Chapter Thirty Life on Kutuzovsky Prospect -
Chapter Thirty-One I Go to America -
Chapter Thirty-Two Seventy-three Days -
Chapter Thirty-Three How We Were Paid -
Chapter Thirty-Four Paris Meetings -
Chapter Thirty-Five Work with Yakobson -
Chapter Thirty-Six Why I Did Not Stay in the West -
Chapter Thirty-Seven Marc Chagall Draws Me -
Chapter Thirty-Eight November 20 -
Chapter Thirty-Nine How Carmen Suite was Born -
Chapter Forty Work with Roland Petit and Maurice Béjart -
Chapter Forty-One A Lyrical Digression -
Chapter Forty-Two My Ballets -
Chapter Forty-Three My Ballets (Continued) -
Chapter Forty-Four I Want Justice -
Chapter Forty-Five Work in Italy -
Chapter Forty-Six Work in Spain -
Chapter Forty-Seven Untitled -
Chapter Forty-Eight Years of Wandering -
Chapter Forty-Nine Curfew
Curfew
Curfew
- Chapter:
- (p.378) Chapter Forty-Nine Curfew
- Source:
- I, Maya Plisetskaya
- Author(s):
Maya Plisetskaya
- Publisher:
- Yale University Press
In this chapter, Maya Plisetskaya reflects on her fifty years on the ballet stage and her performances in 1993, when her native Russia was on the brink of a civil war. Maya continued her rehearsals at the Bolshoi Theater as the Supreme Soviet spouted speeches expressing their desire to bring back communism. Maya's jubilee at the Bolshoi Theater took place on October 6. The orchestra rehearsed the Entr'acte to Act 3 of Raymonda before Maya danced Isadora and Carmen Suite.
Keywords: ballet, Russia, civil war, Bolshoi Theater, Supreme Soviet, communism, Raymonda, Isadora, Carmen Suite
Yale Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.
- Title Pages
- Dedication
- Foreword
- Preface
-
Chapter One The Dacha and Sretenka Street -
Chapter Two What I was Like at Five -
Chapter Three Relatives -
Chapter Four Spitzbergen -
Chapter Five I Study Ballet -
Chapter Six Back in School and Father's Arrest -
Chapter Seven My Mother Disappears -
Chapter Eight Chimkent -
Chapter Nine Concert for the Cheka -
Chapter Ten Tchaikovsky's Impromptu -
Chapter Eleven The War -
Chapter Twelve My First Year at the Bolshoi Theater -
Chapter Thirteen The Apartment on Shchepkinsky Passage -
Chapter Fourteen Mastering the ABCs of the Theater -
Chapter Fifteen Raymonda -
Chapter Sixteen Swan Lake -
Chapter Seventeen Youth Festivals -
Chapter Eighteen My Injuries, My Healers -
Chapter Nineteen Who'll Get Whom! -
Chapter Twenty Stalin's Birthday -
Chapter Twenty-One I Dance in Don Quixote, I Dance in Golovanov's Opera -
Chapter Twenty-Two Life on the Road and the End of the Stalinist Era -
Chapter Twenty-Three My Trip to India -
Chapter Twenty-Four Persecution -
Chapter Twenty-Five How I Didn't Go to London -
Chapter Twenty-Six While the Company Was in London -
Chapter Twenty-Seven How I Dressed -
Chapter Twenty-Eight What a Person Needs -
Chapter Twenty-Nine Shchedrin -
Chapter Thirty Life on Kutuzovsky Prospect -
Chapter Thirty-One I Go to America -
Chapter Thirty-Two Seventy-three Days -
Chapter Thirty-Three How We Were Paid -
Chapter Thirty-Four Paris Meetings -
Chapter Thirty-Five Work with Yakobson -
Chapter Thirty-Six Why I Did Not Stay in the West -
Chapter Thirty-Seven Marc Chagall Draws Me -
Chapter Thirty-Eight November 20 -
Chapter Thirty-Nine How Carmen Suite was Born -
Chapter Forty Work with Roland Petit and Maurice Béjart -
Chapter Forty-One A Lyrical Digression -
Chapter Forty-Two My Ballets -
Chapter Forty-Three My Ballets (Continued) -
Chapter Forty-Four I Want Justice -
Chapter Forty-Five Work in Italy -
Chapter Forty-Six Work in Spain -
Chapter Forty-Seven Untitled -
Chapter Forty-Eight Years of Wandering -
Chapter Forty-Nine Curfew
