Jump to ContentJump to Main Navigation
Mavericks and Other Traditions in American Music$
Users without a subscription are not able to see the full content.

Michael Broyles

Print publication date: 2004

Print ISBN-13: 9780300100457

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300100457.001.0001

Show Summary Details
Page of

PRINTED FROM YALE SCHOLARSHIP ONLINE (www.yale.universitypressscholarship.com). (c) Copyright Yale University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in YSO for personal use.date: 30 November 2021

The Community of the Ultramoderns

The Community of the Ultramoderns

Chapter:
(p.112) Chapter 6 The Community of the Ultramoderns
Source:
Mavericks and Other Traditions in American Music
Author(s):

Broyles Michael

Publisher:
Yale University Press
DOI:10.12987/yale/9780300100457.003.0006

Well into the twentieth century, American music and the arts were influenced by nostalgia for the past and communalism based on self-organization. The ultramodern composers of the 1920s rejected nostalgia in favor of self-organization. It was Edgard Varèse, a French immigrant who had arrived in America in 1915 and formed the International Composers' Guild, who proposed the idea for a new type of musical organization and played a central role in the acceptance of ultramodern music in the 1920s. Other musicians played key roles in the modernist movement of the 1920s and were gravitating to New York, particularly Carl Ruggles, Charles Seeger, and Henry Cowell. In the 1920s, musical modernism gave rise to a relatively complete subculture in which composers founded their own organizations to promote their own music. A problem of ultramodernism from the very first concerts of Ornstein was the audience, although it was not sought by every ultramodern composer.

Keywords:   communalism, American music, composers, Edgard Varèse, ultramodern music, Carl Ruggles, Charles Seeger, Henry Cowell, modernism, ultramodernism

Yale Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.