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DisorientationsSpanish Colonialism in Africa and the Performance of Identity$
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Susan Martin-Marquez

Print publication date: 2008

Print ISBN-13: 9780300125207

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300125207.001.0001

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PRINTED FROM YALE SCHOLARSHIP ONLINE (www.yale.universitypressscholarship.com). (c) Copyright Yale University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in YSO for personal use.date: 17 September 2021

The “Savage” Art of Mimicry in Spain's Colonization of Sub-Saharan Africa

The “Savage” Art of Mimicry in Spain's Colonization of Sub-Saharan Africa

Chapter:
(p.64) 2 The “Savage” Art of Mimicry in Spain's Colonization of Sub-Saharan Africa
Source:
Disorientations
Author(s):

Susan Martin-Marquez

Publisher:
Yale University Press
DOI:10.12987/yale/9780300125207.003.0003

This chapter explores a number of figures who are central to the articulation of the alterity of the self, including numerous pioneering anthropologists, the African explorer Manuel Iradier, and Ángel Ganivet. It argues that such alterity was experienced by a small number of Spaniards in the late 1800s, before the sequelae of neo-colonialist fervor had distracted the national attention from postcolonial disorientation: when they have discovered in fact that the self is inscribed in the Alter that the self needs to define itself against.

Keywords:   alterity, self, neo-colonialist, postcolonial, Spaniards, postcolonial disorientation

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