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Black SquareMalevich and the Origin of Suprematism$
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Aleksandra Shatskikh

Print publication date: 2012

Print ISBN-13: 9780300140897

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300140897.001.0001

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PRINTED FROM YALE SCHOLARSHIP ONLINE (www.yale.universitypressscholarship.com). (c) Copyright Yale University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in YSO for personal use.date: 22 September 2021

From “0.10” to “Store”

From “0.10” to “Store”

Chapter:
(p.101) Chapter 3 From “0.10” to “Store”
Source:
Black Square
Author(s):

Aleksandra Shatskikh

Publisher:
Yale University Press
DOI:10.12987/yale/9780300140897.003.0003

This chapter focuses on Kazimir Malevich's participation in the “Last Futurist Exhibition of Pictures 0.10” and “The Store” painting exhibition. It describes the works of Malevich featured in these exhibits and suggests that the location of Black Square indicates that Malevich was fully aware of the opportunities an installation presented for artistic statement. The chapter also discusses artist Vladimir Tatlin's efforts to abolish Malevich's Suprematism and establish Cubo-Futurism as the principal and sole art movement.

Keywords:   Kazimir Malevich, painting exhibitions, Black Square, artistic statement, Vladimir Tatlin, Cubo-Futurism, art movement

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