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Black SquareMalevich and the Origin of Suprematism$
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Aleksandra Shatskikh

Print publication date: 2012

Print ISBN-13: 9780300140897

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300140897.001.0001

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From “0.10” to “Store”

From “0.10” to “Store”

(p.101) Chapter 3 From “0.10” to “Store”
Black Square

Aleksandra Shatskikh

Yale University Press

This chapter focuses on Kazimir Malevich's participation in the “Last Futurist Exhibition of Pictures 0.10” and “The Store” painting exhibition. It describes the works of Malevich featured in these exhibits and suggests that the location of Black Square indicates that Malevich was fully aware of the opportunities an installation presented for artistic statement. The chapter also discusses artist Vladimir Tatlin's efforts to abolish Malevich's Suprematism and establish Cubo-Futurism as the principal and sole art movement.

Keywords:   Kazimir Malevich, painting exhibitions, Black Square, artistic statement, Vladimir Tatlin, Cubo-Futurism, art movement

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