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Forbidden MusicThe Jewish Composers Banned by the Nazis$
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Michael Haas

Print publication date: 2013

Print ISBN-13: 9780300154306

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300154306.001.0001

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PRINTED FROM YALE SCHOLARSHIP ONLINE (www.yale.universitypressscholarship.com). (c) Copyright Yale University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in YSO for personal use.date: 20 October 2020

Between Hell and Purgatory

Between Hell and Purgatory

Chapter:
(p.200) Chapter 10 Between Hell and Purgatory
Source:
Forbidden Music
Author(s):

Michael Haas

Publisher:
Yale University Press
DOI:10.12987/yale/9780300154306.003.0011

This chapter examines the conditions of Jewish composers after World War I. It discusses the music policies in Adolf Hitler's Germany, the Aryanization of music publishers, and the removal of Jews and their works from the repertoire, which meant breaking countless contracts that would have led to costly court actions. The chapter also suggests that anti-Semitic purges were the result of the view that the Jews represented political opposition to the strong economic and political agenda the Nazis felt had been mandated by the German electorate.

Keywords:   Jewish composers, World War I, music policies, Adolf Hitler, music publishers, Aryanization, anti-Semitic purges, Nazis

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