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Forbidden MusicThe Jewish Composers Banned by the Nazis$
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Michael Haas

Print publication date: 2013

Print ISBN-13: 9780300154306

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300154306.001.0001

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PRINTED FROM YALE SCHOLARSHIP ONLINE (www.yale.universitypressscholarship.com). (c) Copyright Yale University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in YSO for personal use.date: 20 October 2020

Epilogue

Epilogue

Chapter:
(p.305) Epilogue
Source:
Forbidden Music
Author(s):

Michael Haas

Publisher:
Yale University Press
DOI:10.12987/yale/9780300154306.003.0014

This chapter focuses on the contribution of Jewish composers to German music. It laments the fact that Third Reich Jewish contributions to German music were never recognized, acknowledged, or valued by the societies so valued, acknowledged, and recognized by Jewish composers and musicians. The chapter provides evidence that the Jewish contribution to German music was not delusional, and highlights the need to preserve the widely strewn documentation and restore the music of Jewish composers.

Keywords:   Jewish composers, German music, Third Reich, musicians, documentation

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