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Forbidden MusicThe Jewish Composers Banned by the Nazis$
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Michael Haas

Print publication date: 2013

Print ISBN-13: 9780300154306

Published to Yale Scholarship Online: October 2013

DOI: 10.12987/yale/9780300154306.001.0001

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PRINTED FROM YALE SCHOLARSHIP ONLINE (www.yale.universitypressscholarship.com). (c) Copyright Yale University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in YSO for personal use.date: 20 October 2020

A Question of Musical Potency

A Question of Musical Potency

The Anti-Romantics

Chapter:
(p.149) Chapter 8 A Question of Musical Potency
Source:
Forbidden Music
Author(s):

Michael Haas

Publisher:
Yale University Press
DOI:10.12987/yale/9780300154306.003.0009

This chapter examines the musical potency of the works of anti-romantic Jewish composers. It discusses Hans Pfitzner's 1919 pamphlet The New Aesthetic of Musical Impotence: A Sign of Decay?, which would ultimately harness many intellectuals into the anti-Semitic thinking of National Socialism. The chapter discusses the works of Hans Gál and Egon Wellesz, who represented the view that there were different ways of reacting to the post-Wagnerian Romanticism.

Keywords:   Jewish composers, musical potency, anti-romantics, Hans Pfitzner, anti-Semitic thinking, National Socialism, Hans Gál, Egon Wellesz, post-Wagnerian Romanticism

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