Glasnost’ And Perestroika, 1985–1992
Glasnost’ And Perestroika, 1985–1992
This chapter describes events in the history of Soviet theater and arts from 1985 to 1992. Mikhail Gorbachëv's appointment as general secretary in 1985 presented a younger, more hopeful face of Communism. He proclaimed the principles of glasnost', “transparency,” and perestroika, “reconstruction” in a bid to eliminate corruption and inefficiency and rebuild the infrastructure, without fundamentally altering the system. Faced with de facto turbulence in the theater, the authorities followed Gorbachëv's lead and initiated a series of experimental reforms meant to restructure the economic model without surrendering government control. By this time there were more than six hundred professional theaters in the USSR performing in fifty-five languages, not counting the various unauthorized studios, amateur groups, and “apartment” theatricals. In January 1992, the declaration of a Commonwealth of Independent States ended the single, dominant, all-controlling Soviet theatrical culture both at home and abroad.
Keywords: Soviet theater, Soviet history, glasnost', perestroika, Mikhail Gorbachëv
Yale Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us.