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Charand-o ParandRevolutionary Satire from Iran, 1907-1909$
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Ali-Akbar Dehkhoda

Print publication date: 2016

Print ISBN-13: 9780300197990

Published to Yale Scholarship Online: September 2016

DOI: 10.12987/yale/9780300197990.001.0001

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Sur-e Esrāfil, Series 1, No. 17, pp. 7–8

Sur-e Esrāfil, Series 1, No. 17, pp. 7–8

November 21, 1907

Chapter:
(p.167) Sur-e Esrāfil, Series 1, No. 17, pp. 7–8
Source:
Charand-o Parand
Author(s):

Ali-Akbar Dehkhodā

Publisher:
Yale University Press
DOI:10.12987/yale/9780300197990.003.0015

This chapter presents a column published on November 21, 1907, featuring a poem by Dehkhodā, a mokhammas—a five-hemistich strophic form generally used for popular songs. The heading “Literature” (Adabiyāt) for this and a few other sections of Charand-o Parand columns is probably tongue in cheek, since these are all examples of verse in a vernacular style. The Kablā'i addressed here most likely refers to the poet, in character as a contributor to Sur-e Esrāfil, the obvious target of the various subjects of Charand-o Parand's satire, and a frustrated advocate for popular mobilization. The column also includes a piece on the victimization of journalists.

Keywords:   poems, poetry, journalists, mokhammas, Charand-o Parand, Ali-Akbar Dehkhodā, Sur-e Esrāfil, Iranian newspaper columns

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