- Title Pages
- Dedication
- Foreword
- Introduction: A Voice Still Heard
- This Age of Conformity {1954}
- Review of The Country of the Pointed Firs, by Sarah Orne Jewett {1954}
- The Stories of Bernard Malamud {1958}
- Doris Lessing: No Compromise, No Happiness {1963}
- Life Never Let Up: Review of Call It Sleep {1964}
- New Styles in “Leftism” {1965}
- George Orwell: “As the Bones Know” {1968}
- The New York Intellectuals {1969}
- A Grave and Solitary Voice: An Appreciation of Edwin Arlington Robinson {1970}
- What's the Trouble? Social Crisis, Crisis of Civilization, or Both {1971}
- The City in Literature {1971}
- Tribune of Socialism: Norman Thomas {1976}
- Strangers {1977}
- Introduction: Twenty-five Years of Dissent {1979}
- Introduction: The Best of Sholom Aleichem, with Ruth Wisse {1979}
- Mission from Japan: Review of The Samurai {1982}
- Absalom in Israel: Review of Past Continuous {1985}
- Why Has Socialism Failed in America? {1985}
- Writing and the Holocaust {1986}
- Reaganism: The Spirit of the Times {1986}
- Two Cheers for Utopia {1993}
- The Road Leads Far Away: Review of A Surplus of Memory {1993}
- Mr. Bennett and Mrs. Woolf {1994}
- Dickens: Three Notes {1994}
- Tolstoy: Did Anna Have to Die?{1994}
- Reflection on the Death of My Father {1982}
- From the Thirties to the Rise of Neoconservatism: Interview with Stephen Lewis {1983}
- Sources
George Orwell: “As the Bones Know” {1968}
George Orwell: “As the Bones Know” {1968}
- Chapter:
- (p.73) George Orwell: “As the Bones Know” {1968}
- Source:
- A Voice Still Heard
- Author(s):
Irving Howe
- Publisher:
- Yale University Press
This chapter presents Irving Howe's 1968 essay “As the Bones Know,” which provides an historical and political critique of George Orwell's work. Howe begins by describing Orwell as someone who wrote with his bones before discussing some of his essays, including “The Spike,” “Hop Picking,” “Shooting an Elephant,” “How the Poor Die,” and “Why I Write.” He then comments on Orwell's political development, including his criticism of Popular Frontism and his anti-Stalinist leftism. Howe also examines the high plateau of Orwell's career as essayist that began around 1940 and the subjects he had taken, such as English life and its relation to socialism, popular culture, and the poor.
Keywords: essays, Irving Howe, George Orwell, Popular Frontism, leftism, socialism, popular culture, poor
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- Title Pages
- Dedication
- Foreword
- Introduction: A Voice Still Heard
- This Age of Conformity {1954}
- Review of The Country of the Pointed Firs, by Sarah Orne Jewett {1954}
- The Stories of Bernard Malamud {1958}
- Doris Lessing: No Compromise, No Happiness {1963}
- Life Never Let Up: Review of Call It Sleep {1964}
- New Styles in “Leftism” {1965}
- George Orwell: “As the Bones Know” {1968}
- The New York Intellectuals {1969}
- A Grave and Solitary Voice: An Appreciation of Edwin Arlington Robinson {1970}
- What's the Trouble? Social Crisis, Crisis of Civilization, or Both {1971}
- The City in Literature {1971}
- Tribune of Socialism: Norman Thomas {1976}
- Strangers {1977}
- Introduction: Twenty-five Years of Dissent {1979}
- Introduction: The Best of Sholom Aleichem, with Ruth Wisse {1979}
- Mission from Japan: Review of The Samurai {1982}
- Absalom in Israel: Review of Past Continuous {1985}
- Why Has Socialism Failed in America? {1985}
- Writing and the Holocaust {1986}
- Reaganism: The Spirit of the Times {1986}
- Two Cheers for Utopia {1993}
- The Road Leads Far Away: Review of A Surplus of Memory {1993}
- Mr. Bennett and Mrs. Woolf {1994}
- Dickens: Three Notes {1994}
- Tolstoy: Did Anna Have to Die?{1994}
- Reflection on the Death of My Father {1982}
- From the Thirties to the Rise of Neoconservatism: Interview with Stephen Lewis {1983}
- Sources
