Magnum Opus offers an original and provocative analysis of Eugene O'Neill's unfinished cycle play project. From 1935 to 1939, Eugene O'Neill worked on a series of plays that would trace the history of an American family through several generations. He completed just two of the proposed eleven plays—A Touch of the Poet and More Stately Mansions—before putting the project aside and taking up The Iceman Cometh and Long Day's Journey Into Night. Most critics have viewed the Cycle as an extended warmup exercise, but Zander Brietzke treats the Cycle on its own terms as separate from the final plays ... More

Magnum Opus offers an original and provocative analysis of Eugene O'Neill's unfinished cycle play project. From 1935 to 1939, Eugene O'Neill worked on a series of plays that would trace the history of an American family through several generations. He completed just two of the proposed eleven plays—A Touch of the Poet and More Stately Mansions—before putting the project aside and taking up The Iceman Cometh and Long Day's Journey Into Night. Most critics have viewed the Cycle as an extended warmup exercise, but Zander Brietzke treats the Cycle on its own terms as separate from the final plays and as O’Neill’s definitive statement on the effects of human greed and capitalism run amuck. The two plays that he did finish, numbers five and six, right in the middle, represent the core of the entire cycle and allude to the family’s past and predict its future in a critique of the American Dream. Combining archival research, literary analysis, and theatrical imagination, Magnum Opus untangles many myths about the Cycle, advances a female character as hero in a new interpretation, and proposes a new production concept as an epic event, a historical drama of our time.